Mo'Nique

Mo'Nique

Born 1967-12-11 (age 58) Woodlawn, Maryland, USA
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Biography

From Wikipedia, the free encyclopedia.

Monica Imes (born December 11, 1967) known professionally as Mo'Nique, is an American comedienne and actress. Mo'Nique rose to fame in the UPN series The Parkers while making a name as a stand-up comedian hosting a variety of venues, including Showtime at the Apollo. Mo'Nique transitioned to film with roles in such films as Phat Girlz, and Welcome Home Roscoe Jenkins.

In 2009, she received critical praise for her villainous role in the film Precious: Based on the Novel "Push" by Sapphire. For this performance, she has won numerous awards including an Academy Award for Best Supporting Actress, a Screen Actors Guild Award, a Golden Globe Award, and a BAFTA Award. She is the sixteenth African American actress to receive a nomination for the Academy Award for Best Supporting Actress, and the fourth to win. Overall, Mo'Nique is the twelfth individual African-American to win an Oscar for acting; and the seventh winner during the decade of the 2000s. She hosts The Mo'Nique Show, a late-night talk show that premiered in 2009 on BET.

Description above from the Wikipedia article Mo'Nique, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Known For

Welcome Home Roscoe Jenkins
Soul Plane
Soul Plane

2004

as Jamiqua

Baby Boy
Baby Boy

2001

as Patrice

Beerfest
Beerfest

2006

as Cherry

Almost Christmas
Almost Christmas

2016

as Aunt May

The Deliverance
The Deliverance

2024

as Cynthia Henry

Domino
Domino

2005

as Lateesha Rodriguez

Half Past Dead
Half Past Dead

2002

as Twitch's Girl

Two Can Play That Game
Blackbird
Blackbird

2014

as Claire Rousseau

Phat Girlz
Phat Girlz

2006

as Jazmin Biltmore

3 Strikes
3 Strikes

2000

as Dahlia

Shadowboxer
Shadowboxer

2005

as Precious

Farce of the Penguins
Farce of the Penguins

2006

as Vicky (voice)

Good Fences
Good Fences

2003

as Ruth Crisp

Steppin: The Movie
Steppin: The Movie

2009

as Aunt Carla

Bessie
Bessie

2015

as Ma Rainey

The 4%: Film's Gender Problem